Unfortunately, they’re a sight few get to experience unless you happen to live in the far northern (or southern) parts of the globe. For the rest of us, seeing this awe-inspiring phenomena involves quite a bit of traveling and expense! If you are going to invest the time and treasure to cross this off of your bucket list, then let me help you take great Aurora photographs. [Read more…]
Landscape photographers enjoy the early light of pre-dawn. Be sure to explain this interest to your guide, well in advance, as it will take some extra planning. Game reserves have a lock-down policy against any night time excursions because there are still incidents of poaching. To leave before dawn will require some coordination. [Read more…]
When photographing nature, there are many times when a photographic filter on the end of the lens can help improve the image, or give the image a different effect. Such is the case when I captured Maroon Creek (Colorado) with a Neutral Density filter:
Kind of like “creativity in a can.” What filters are most useful for shooting nature? [Read more…]
When you look at a photograph, you don’t view it as a whole. Instead, you first focus on one key area that grabs your attention and then you move your eyes throughout the rest of the frame to see what else is there.
Where your eye travels from that first spot depends on the image, and how that spot guides you to another spot in the frame. In an image that has good “flow,” your eye will always know where to go next (elements of the image will guide you). But, if an image doesn’t have a natural direction of flow, then it’s harder for the viewer to move through the image (they don’t know where to start and then they don’t know where to go from there). [Read more…]
Here’s a quick look at the different types of contrast and how you can capture them in your images:
The most common way of adding more contrast to your images is photographing a scene with strong contrasting colors. With landscape photography, this is usually pretty easy to do around the “golden hours” — where you’ll likely have some of your scene in the shade while the rest of the scene is extra saturated with that warm light of sunrise or sunset. [Read more…]