Variegated Meadowhawk (female) / Photo by Steve Berardi
In a
previous post, I explained a quick way you can get sharper photos by adjusting the “picture style” on your DSLR (if you’re shooting in JPEG). Well, another small way you can make your closeup photos appear sharper is by photographing your subject in front of a contrasting background.
The photo above is a good example. The dragonfly is pretty bright, but the background is much darker. This strong contrast of brightness helps emphasize the edges, making the outline of the dragonfly appear much sharper.
This is actually how most sharpening algorithms work in post-processing software: by increasing the contrast of brightness between edges it makes those edges stand out more and appear sharper. That’s why oversharpened images have those ugly halos. [read more…]
In a previous post, I explained how you can use an extension tube to focus closer with your lens. Using one of these hollow tubes can help you fill the frame when doing close-up photography of things like flowers or butterflies.
Well, when you’re also using a teleconverter on your lens, it’s important to attach the extension tube in between the teleconverter and the lens (so, the teleconverter should be closest to the camera body). This is a little trick that I just learned from an article by Arthur Morris in the latest issue of Nature Photographer Magazine.
I was interested to find out just how much the order matters, so I did a few tests with my Canon 300mm f/4L (a lens that I love to use for close-up photos) and a 25mm extension tube. Here’s a table that summarizes my results: [read more…]
Today I’m happy to announce the release of a free eBook about photographing one of the most unique insects on the planet: dragonflies. The eBook was written by my father, Vic Berardi, who is an outstanding photographer of hawks, dragonflies, and wildflowers.
This 18-page eBook is not meant to be a complete guide on the subject of photographing dragonflies, but it includes many great tips for dealing with the unique challenges of dragonfly photography. You’ll get the most out of the book if you already have a basic understanding of how to use your camera (you’re familiar with the terms aperture, shutter speed, ISO, depth of field, etc). [read more…]
Photo by Steve Berardi (shot with a Canon G10 point and shoot camera)
Although wildflowers are best photographed with an SLR camera, it’s still possible to take some pretty good shots with a plain old point and shoot camera. And, sometimes this may be the only camera you have with you at the time, either because you’re backpacking far into the wilderness and want to travel light, or maybe you haven’t made the jump to an SLR just yet.
The biggest problem you’ll run into with the point and shoot camera is the large depth of field you get from the super small sensor. This limits some of your options, but there’s a few ways to get around it, and as always, light also plays a huge role in the success of a photo.
So, here are a few tips for photographing wildflowers when you’re limited to a point and shoot camera: [read more…]
Bigelow's Monkeyflower / Photos by Steve Berardi
Which of the two photos above do you like better?
They were both taken of the same flower, with the same camera settings. The only difference between the two shots is the position of the camera.
I’ll take a wild guess that you like the first one more. And, I think this photo is better because it has more of an intimate and friendly feeling to it. [read more…]
