Dickcissel (Spiza americana) / Photo by Wes Gibson
This is a guest post by Wes Gibson, who’s been reading PhotoNaturalist for a few years now, but has been a photographer for over 20 years. After reading his post, please be sure to check out his blog for more of his posts. And, if you’re also interested in writing a guest post here on PhotoNaturalist, please contact me, thanks! –Steve
One of the things that attracted me to the PhotoNaturalist blog a few years ago was Steve’s philosophy of being more than a nature photographer. How we should go beyond just making images of our environment. How we should expand our knowledge and learn more about what we photograph. How we should become photonaturalists.
And, while I have a bookshelf full of nature books that I routinely refer to, I have recently discovered something that propelled my journey in becoming a photonaturalist to the next level: I started donating my photographs to local nature organizations. [read more…]
Photo by Martin Taylor (used under the CC-Attr license)
When you first got your camera, I’ll bet you took a photo of just about everything. I know I did. When I got my first SLR, I could barely walk ten feet on a trail without stopping to photograph something. I probably photographed every flower or insect I saw.
But, then that pace starts to slow down after you have your camera for awhile. In the beginning, maybe you’d come home with over 400 photos on your memory card, but then after a few months it turned into 200, and after a year it might even get as low as 50 per day.
What happened? At first you might think you’re losing interest in photography, or maybe you’re in some kind of artistic slump (just like baseball players who sometimes go 40 at-bats without a basehit). [read more…]
Photo by Martin Taylor
Have you ever felt like you were just one camera lens away from completing your ultimate collection of gear? Have you ever said to yourself, “if only I had that 600mm lens, THEN I could take those awesome photos I want.” Or maybe there’s some nifty little accessories that you’re just itching to get.
I think it’s pretty easy to get excited about new camera gear. I’ll admit it: I’d love to get my hands on a 600mm f/4, or that Canon 7D. And, I’m sure you would too 
But, then we get reminded by great photographers like David duChemin that gear isn’t the most important thing. The photographer is what really makes the photo, and one of the best ways to improve your photography is to simply just go out there and take more photos. Experiment. Make mistakes. Learn from them.
I think as nature photographers, it’s especially important to minimize our gear, and here are a few reasons why: [read more…]
Bigelow's Monkeyflower / Photos by Steve Berardi
Which of the two photos above do you like better?
They were both taken of the same flower, with the same camera settings. The only difference between the two shots is the position of the camera.
I’ll take a wild guess that you like the first one more. And, I think this photo is better because it has more of an intimate and friendly feeling to it. [read more…]
Photo by Martin Taylor
Anyone who has ever taken a sharp, properly exposed, and well-composed photo has heard these very words.
A couple of years ago someone I know, a writer of three published books and numerous articles, came across some of my flower photos. He looked at them intensely and said, “Wow, you must have a really good camera!”
I stared at him looking perplexed then smiled and said that I thought his writing was excellent and that he must have a “really good keyboard and computer!” He understood. [read more…]
